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OK, now that you can read a script accurately and warm it up with a
smile, it’s time to add some attitude to your voiceover practice. Pick
anything that you like
: happy, sad, sarcastic, wry, compassionate,
skeptical – even if it’s not what the spot calls for – it’s all good for
your workout
. Of course, when you’re actually auditioning, you’ll want
to stick to what the client is looking for (more or less), but for now
feel free to stretch your voice acting chops.

So how do you do that? There’s no one way to get the result, but being
human and having lived and experienced the full range of attitudes and
emotions (I assume), you should be able to develop the ability to tap
into those feelings
and turn them on and off at will. Some people can do
this naturally and easily, like flipping a switch off and on; others
need to work at it more and develop some specific techniques. Also, most
people are better at certain emotions
and attitudes than others.

Try recalling a situation from your real life that evoked the emotion or
attitude that you’re looking for. Really dive into the memory and let it
cause a visceral response – you should FEEL it more than you’re THINKING
it. If no memory comes to mind, imagine a scenario that would have the
same result. Pretend that you’re speaking to someone who elicits a
particular attitude from you (the easiest example of this is speaking to
a child). Or, simply concentrate on the word itself – your understanding
of the word will bring about a response.

Record yourself as part of your voice acting practice sessions, and
listen for how much or how little what you feel when you’re reading
translates to the recording. Often you’ll find that you need to give it
a bit more
attitude (and energy) than feels natural to get the
performance to come across the way you want. Recording yourself
frequently has the added benefit of helping you become more objective
about critiquing your work, which will come in handy when you record
voiceover auditions and jobs at home.

And remember – have fun!

Another simple idea here, but an important one. Adding a smile to your read brings energy, enthusiasm and warmth. Pay attention next time you’re listening to commercials – in virtually every radio and TV ad you hear, the voice actor is smiling to some degree or another. We’re so used to hearing it that the average listener is probably unaware, at least until their voiceover enthusiast friend (that’d be you) points it out to them.

Other voice acting genres use the smile too: promos & trailers, animation, even corporate work. I do a lot of narration and use a smile to make otherwise boring material palatable and engaging.

Of course, how much smile to use depends on the nature of the material; a PSA for the Red Cross might be fairly serious in tone, so a huge clown-like grin wouldn’t be appropriate. But even these heavier spots tend to have a flavor of hopefulness to them that a slight smile will help bring out.

But the most important thing about the smile is it’s got to be REAL! Just turning up the corners of your mouth mechanically isn’t going to cut it – you have to feel it in your gut. So, until you’ve learned to turn that switch on and off automatically, do whatever works to generate a real smile. Think of something funny or happy; have your friend or classmate make silly faces at you when you’re reading; look at an amusing photo. When you’re getting the hang of it, record your efforts and compare a smiling read to a non-smiling read.

So, just as in everyday life, a smile in the voiceover world will make you more appealing to more people. It’s one of the basic tools in your voice acting toolbox, and you will do well to spend the time learning to summon it and control it at will.

To sum up our lessons so far, then:

1. Get the words out.

2. Add a (real) smile.

That’s all you need to work on for now. Coming up next – ATTITUDE!

Have fun, and remember, PRACTICE.

copyright 2010 John Matthew